
- Top Ten Cycling Books?
- Italian Cycling Journal looks at the Monuments.
- Cycling in snow. (Snow?!! What's that?)
- Rise in cycling accidents as more people throw a leg over the bar.
- What are they rolling in DC and when can we get some of that?
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This year we were a little restrained in using Christmas as an excuse to buy bike parts, but I saw some friends out there cleaning up with all kinds of droolworthy goodies. Taiwan's people seem more smitten with Europe's streetscapes and Japan's culture than their country's own beauty. But CommonWealth Magazine has identified six major lures that overseas visitors have come to appreciate.
In June 2007, after Yang and three friends circumnavigated Taiwan by bicycle, he decided to leave the online game company he was working for and devote himself to running his biking haven, the Frog Café. He was so enthralled by the spirit of adventure and feelings of attachment for his native land he experienced during his tour of Taiwan that he wanted to encourage young people to share the adventure.
Yang invested NT$200,000 in 15 bicycles kept at his Bali outlet that are available for people to rent or borrow. Those who submit a simple "Frog Round-Taiwan Bicycling Sponsorship Plan" online, pay a NT$500 maintenance fee and contribute NT$500 to a fund for sustainably promoting biking around the island can use the bikes in Yang's shop for an unlimited number of days.
"Surprisingly, the first person to submit an application was a woman from Hong Kong. She said she wanted to use the bicycle to get to know Taiwan's beautiful natural scenery," Yang says.
After that, many other ethnic Chinese, from Chinese exchange students to Malaysian office workers, took advantage of Yang's plan to tour Taiwan's mountains and coastline.
These destinations all showcase pastoral landscapes that are so poignant, they evoke deep emotions in many ethnic Chinese. Community-building efforts have generated a vitality similar to that of the spring planting season, when the soil is broken up and new seedlings germinate, yielding unique green sightseeing opportunities.
In recent years, Taiwan's leisure farms have even developed strong name recognition in Singapore and Malaysia, drawing many ethnic Chinese families from the two countries.
More than 140,000 foreign nationals have already visited Taiwan's recreational farms this year, according to statistics from the Taiwan Leisure Farming Development Association, signs that a 20-year campaign to build tourism around local agriculture is having some success. The initiative first positioned farms as tourist orchards, and then they slowly evolved into integrated recreational areas complete with restaurants, accommodation and DIY farming experiences.
In recent years, the country's dynamic and enterprising cultural creativity has generated many commercial festivals attractive to the ethnic Chinese community that bear little resemblance to traditional holiday celebrations.
"What we are selling is Taiwan's outstanding lifestyle, attitude and aesthetics. We examine our vision of life and hope to successfully communicate an interpretation of ‘life' with everybody, or at least with all ethnic Chinese,"
Preserving the Spirit of the Country Scholar
Because most guesthouses are situated in the countryside, they allow foreign tourists to experience the life of the traditional Chinese countryside scholar, as preserved in Taiwan. Pei Chin, the owner of the Riomont Penthouse in Yilan County, lived in California for 25 years before returning to Taiwan and was stunned to find traditional agrarian scenes everywhere.
"The forgotten practice in Chinese culture of pursuing learning while tilling the soil was somehow preserved really well in Yilan County," Chin says, and this was one of his inspirations for opening his own guesthouse.


"The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act."--Marcel Duchamp
| "The Bicycle Wheel is my first Readymade, so much so that at first it wasn't even called a Readymade. It still had little to do with the idea of the Readymade. Rather it had more to do with the idea of chance. In a way, it was simply letting things go by themselves and having a sort of created atmosphere in a studio, an apartment where you live. Probably, to help your ideas come out of your head. To set the wheel turning was very soothing, very comforting, a sort of opening of avenues on other things than material life of every day. I liked the idea of having a bicycle wheel in my studio. I enjoyed looking at it, just as I enjoyed looking at the flames dancing in a fireplace. It was like having a fireplace in my studio, the movement of the wheel reminded me of the movement of flames" --Marcel Duchamp |
I'm at lunch reading about the re-alignment of West German art during the first ten years after 1945; the year considered the zero hour of the new german history for obvious reasons. German art houses and museums, for a time, displayed modernist art (or as it was known ten years prior: degererate) and quietly put away the neoclassic paintings previously sanctioned by the Nazi party.
This lead me to think about something that Dennis (an illustrator friend) used to always say about Duchamp ruining art for illistrators by re-aligning the art 'argument' to the artist's choice and intellect rather than the produced painting and skill of the hand.
I'm lead to wonder if in reality the change from illustrative/representative art was primarily caused by a need to disassociate from the Nazi party (read here any previous powerful state party that had a hand in the disaster of the world wars) and it's past representative icons of its ideals and a need to show acceptance for the dissenting art, which was primarily abstracted, and the ideals for which that art stood.
Duchamp, it seems, may have been the one to define and announce a trend that was already coming to be the world over.
Abstraction was a step in a process already heading Duchamp's direction.
The more I think of Duchamp the less I think of him as a catalyst. Now I think the emperor was already struting nude in front of his citizenry, Duchamp just revelled in being the first to point it out.